THE QUEST FOR SELFHOOD IN CHETAN BHAGAT'S ONE ARRANGED MURDER

Abstract

This research paper delves into the theme of selfhood as depicted in Chetan Bhagat's novel One Arranged Murder. The study focuses on the intricate journey of self-discovery and identity formation of the characters within the framework of contemporary Indian society. Through a meticulous examination of the protagonist and key characters, their actions, and the societal and cultural influences they navigate, the paper sheds light on the complexities of personal identity in the modern Indian context. The narrative style of Bhagat, marked by its colloquial language and use of relatable symbolism and metaphors, is analyzed to understand its role in advancing the theme of selfhood. Additionally, the paper offers a comparative analysis with other notable works in contemporary Indian literature, highlighting Bhagat's unique approach to exploring themes of self-identity, societal expectations, and personal aspirations. This research contributes to the broader understanding of contemporary Indian fiction and its reflection on the individual's quest for selfhood amidst societal transformations.

Keywords: Selfhood, Identity, Chetan Bhagat, One Arranged Murder, Indian Literature, Cultural Influence, Narrative Style, Societal Expectations.